Nothing so sweet as the best tool in your hand for the job you want to do. Kevin's products raise the making of tools to artisanship. Go see PotterUSA.com! I am overwhelmed with desire for his jeweler's die press. And then there's the beautiful saw frame with the pink grip. Ahhh!
Monday, February 16, 2015
Thursday, February 12, 2015
A handwrought steel fibula suspends a reliquary fashioned from the pages of an mid-19th c.children's book, sandwiched between two layers of tin reclaimed from a Chinese tea cannister. It is held in place using a marlinspike knotting technique called "mousing," that I learned from Keith LoBue, with waxed baker's twine threaded through tube rivets which also hold the assemblage in place. Beneath that, a pair of antique mercury glass bugle beads on red silk. I love the way the beads have patchy mirroring that is highlighted by the silk that shows through the places where it has flaked away; it seems to resonate with the foil on the printed tin. The reliquary contains an embroidered bee I made, some silver glass beads that move around, and an engraved illustration from the story book. I layered mica over the chamber and then poured resin over the mica for some magnification.
A beekeeper friend, Alan Hawkins, tells me that yesterday was the feast day of St. Gobnait, the patron of bee keepers. I'm right on time, for once!
Sunday, February 8, 2015
Here's a curious embellishment for the neckline. A collarette of contemporary glass beads and found things, including milagro, measuring tape, bits of 19th c. text, end papers, a hand fashioned copper bail, a steel thing found in the street, a Victorian mourning button, and a number 7 key from an adding machine, which I expect is made of Bakelite. Surprisingly pretty on, and when you turn it over, there's a steel engraved illustration of a little girl with her pull toy, from an 1800s children's book and my initials faintly scratched on the back of the star, by way of signing my work.